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State Meets Floral

by State Meets Floral

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1.
If we drive too far is it that much of a problem, That much of a problem, that much of a problem? If we drive too far is it that much of a problem, That much of a problem, that much? It’s that time of the summer, that time of the year When your time becomes innocent, words become clear And we find ourselves, stranded in space, Crumbling down, falling in place And we’ve never been certain, but neither have they While we try to figure out why we love this place but Even if we never figure it out There are more roads to march and more words to shout, so Take my hand, joints and all Take a stand, just don’t fall If we drive too far is it that much of a problem, That much of a problem, that much of a problem? If we drive too far is it that much of a problem, That much of a problem, that much? I see that you listen to what people say When I listen at night it’s just tamed and behaved But there’s always more criticism and more doubt It just takes some time to figure it out, so Take my hand, joints and all Take a stand, just don’t fall If we drive too far is it that much of a problem, That much of a problem, that much of a problem? If we drive too far is it that much of a problem, That much of a problem, that much?
2.
She left fast She told you as your fingers clasped Around her and that silent laugh That says that she’s not done at last She took time To figure out your tactful mind To mirror it and make it shine So she could see it’s faults Cause she don’t want you, Like she says she does Placing pebbles For a train She took your eyes Took them and she covered them Placed them back into your skull You’ll never see the change She’s got her gun Got it in right between her ears She’s waiting to release the shot Bullet through your mind Cause she don’t want you, Like she says she does Placing pebbles For a train Take your time, Confessional is always hard, Especially when it’s just not you Standing in the booth Cause she don’t want you, Like she says she does Placing pebbles For a train Cause she don’t love you, Like she says she does Placing pebbles On the rails
3.
Speakeasy 02:55
I see you through your lighted windows A person I have never met You tell me as you turn the lights off That things are as bad as they can get You, you’re my speakeasy In the night My own prison, Filled with light It’s so simple But it’s alright Don’t tell me that you’ll be forgotten When I spend every night with you We’re learning to unlove each other In our habits, in the things that we do Because you, you’re my speakeasy In the night My own prison, Filled with light It’s so simple But it’s alright
4.
Unsentimental, but you fall so far each time Tell me you’re sorry, so I know you’re still mine I know that we can live this way I know that we can live this way You’ve got your problems, but in my mind they’re all me There is that blurred line of self flattery I know that we can live this way I know that we can live this way Tell me now, That you’re coming, That you’ve found what you do, You’re not running And I tried so hard to tell you, That I’m lonesome And I tried so hard to tell you, What I need Tell me now that we can live this way Tell me now that we can live this way Tell me now that we can live this way Tell me now that we can live this way
5.
Take It Down 04:46
She stood as a ghost In her light, in her light, in her light. Floating through her force Like a kite, like a kite, like a kite. So take it down, the place she’s been going Take it down, the place she belongs Take it down, the place she’s been going Take it down, the place she calls home They say you’ve been caught In an act, of defeat, of surmise I say you’ve been brought To a death by a pair of cold eyes So take it down, the place she’s been going Take it down, the place she belongs Take it down, the place she’s been going Take it down, the place she calls home Take it down, take it down Take it down, to the ground Take it down, take it down Take it down to the ground She stood as a ghost In her light, in her light, in her light. Floating through her force Like a kite, like a kite, like a kite.
6.
Structures held up, by those toothpick machines It’s a shame they only make them for buildings and ravines In New York City almost every building gets Renovations to their stories, compensations as they drift I’ll write the process notes to a suicide song The words they hum along, without a sound How effortlessly we can live our lives We can slowly dive, to the ground Metal can sparkle with a subtle, stolen sheen Now I see them on my face all the lines in between You say I’ve taken what you say and thrown it out But I recognize psychosis and I don’t go down that route I’ll write the process notes to a suicide song The words they hum along, without a sound Your words entangle me so flawlessly Yet methodically, they still erase I’ll write the process notes to a suicide song The words they hum along, without a sound I should feel different, but I’m not surprised That your eyes look like they’ve won
7.
We could go where no one’s travelled, bide our time We could go where nothing’s missing, it’s alright, we’ve lost all pride Oh, there must be more; you’ve made me go down there before You’ll tell me as you take another sip Oh, there must be more; I’ll tell you lies as you tell yours The pavement is just asking you to trip I always wonder if you’re lonesome, with your people, by the shore I always wonder if it’s tiring, every time I ask for more Oh, there must be more; you tell me tales as I’m counting fours, Invincibly destructing what we have Oh, there must be more; it grasps you, pulling to the floor But nobody can tell me what it is Oh, there must be more; I’ve waited long I’m trying not to make it all up in my mind Oh, there must be more; your own internal civil war Of choices that you make before your time Oh, there must be more; I’m trying hard but I can’t ignore That everything blows up in your face Oh, there must be more; everyone, everyone They go, they go with grace
8.
Sugar 02:54
We’re laced together with a passion and a guilt Because everytime I look at you I feel that I’m at fault I’m trying to figure out if you even know my name But you’re telling me it’s easy, cause we know it’s just a game Cause you’re giving all our sugar to the neighbors When they ask you to Don’t say you love her just because she isn’t me You’ve made choices, soundless voices, of how you want us to be I’m running circles just to see what’s up your sleeve It’s not funny, it’s not pretty, but it’s just how I will behave Cause you’re giving all our sugar to the neighbors When they ask you to Hold on, hold on It’s not easy playing games like this Hold on, hold on We just shouldn’t play our games like this You’re just giving all our sugar to the neighbors When they ask you to
9.
Tangerines 03:24
You ate tangerines Reminding me, that spring is here In some part of the globe I took off my socks Felt the wooden floor, beneath my heels But you told me I’d get cold Your peeling fruit Is warning me, you’ve been here before And I haven’t stopped to look Your tired eyes Are warning me, you’ve missed your sleep And I haven’t stopped to care So move closer The place in all the grocery stores, you feel safe So move closer December can’t stop us, from your tastes So move closer The place in all the grocery stores, you feel safe So move closer December can’t stop us, from your tastes You ate tangerines Warning me, not to fail Or I’d find myself like you Dependant on a time When everything is warmer, not like now Sitting by the door So move closer The place in all the grocery stores, you feel safe So move closer December can’t stop us, from your tastes
10.
Eight years old she slipped a fountain, Got all wet, to her, a mountain she climbed Rode her bike through California, Picked up fossils, drinking orange juice, passed time Took up hobbies, took up reading, Eight years old and she was keeping words safe Jettison as she got older, from inside her windowed building, decay We could walk, that'd be fine We take our time, we take our sweet, sweet time, we do We take our time, we take our sweet, sweet time, we do Angles, patterns, lines, and doorways, Summer mornings, they adore your sweet eyes If you speak I'll see the music, Trapped between your teeth as in a surprise We could walk, that'd be fine We take our time, we take our sweet, sweet time, we do We take our time, we take our sweet, sweet time, we do We take our time, we take our sweet, sweet time, we do We take our time, we take our sweet, sweet time, we do

credits

released August 24, 2014

Many, many thanks to: Hank Roberts, Esmé Saccuccimorano, Jackson Quinn Gray, Bronwen Exter, Dara Anissi, Liz and Glenn Allen, Neil and Stiller Zusman, Michael and Sarah Friga, Kris Alt, Lynn Podhaski, Vincent Grenier, Mary Zebell, Cecilia Strother, Maggie Sawyer, Rachel Zager, and to everyone that has helped to make this project happen.


Rosie Alt: vocals and guitar
Lucia Roberts: backup vocals
Jacob Friga: bass guitar
Cody Zusman: cello
Miles Allen: percussion
Hank Roberts: cello on track 1

Thank you, thank you, thank you to Étienne Grenier.

Album artwork by Esmé Saccuccimorano
All songs by Rosie Alt
Arrangements by Jacob Friga, Miles Allen, Cody Zusman, Jackson Quinn Gray, and Rosie Alt
Recorded and mixed by Étienne Grenier
Mastered by Tyler Mahaney

facebook.com/statemeetsfloral

produced by 73 records, www.facebook.com/pages/73-Records-LabelDistro/1526478954233322

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State Meets Floral Ithaca, New York

Rose Alt, Jacob Friga, Cody Zusman, & Miles Allen. We're a band made up of original music, acoustic guitar, bass, drums, and cello.

We're released two albums independently, our self-titled full album in August 2015 and Living Room EP in August 2016.

Ithaca, NY.

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